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Pre-Press:Book Design, Typesetting & Layout
Printing And Printers Other Editions (Online, CD, Audio, Large Print) Pre-Press:Book Design, Typesetting & Layout
Book design. Visit a bookstore. Check your section, then look into other sections. Find a book you like-on any subject. Consider binding, layout, feel, margins, type style, everything. Then buy it. Use this book for a model. Tell your typesetter (or do it yourself) and printer you want your manuscript to look like this book. To get what you want, just buy a model and adapt it. Most publishers today set their own type. All you need is a computer, a word-processing program such as MS-Word and a 600-dpi laser printer. Just draft and typeset your book in MS-Word and convert the file to PDF with Adobe Acrobat. Then you can send the disk to the printer. Or hire a typesetter with a page layout program such as PageMaker or QuarkXpress. See Writing Nonfiction: Turning Thoughts into Books. Testimonials, forewords, endorsements and quotations or "blurbs" sell books because word-of-mouth is one of the most powerful forces in marketing. Anything you say is self-serving but words from another person are not. In fact, when readers see the quotation marks, it shifts their attitude and they become more receptive. Your mission is to get the highest-placed, most influential opinion-molders talking about your book. You have more control than you think over who you quote, what they say and how you use their words. Testimonials are not difficult to get if you follow a plan. The easiest and best method is a two-step process. See Blurbs For Your Books, Document 609. For book designers, see our suppliers list. Book covers matter. Everyone knows you shouldn't judge a book by its cover-but everyone does. Readers look at the front cover and the back cover and then make a buying decision. They do not read the book first. Retailers (bookstores) buy from the cover. Sales reps do not lug books around. Wholesalers make buys without seeing the text. They want you to submit just the cover-they don't judge the content. Reviewers receive dozens of books each day and can only review a small number. They have to select the books that appear to be the most interesting. Your book cover has to survive "the glance test." Everyone judges a book by its cover. There are so many books and other things to look at-and so little time. All these very important decisions—whether or not to buy your book—are made on just one thing: the cover. Stores display tens-of-thousands of books with the spine-out. With all this congestion, it is hard to get attention. The package outside sells the product inside. The bookstore browser spends just 8 seconds on front cover and 15 seconds on back cover and this is assuming the spine was good enough to get him or her to pull it from the shelf. A well thought out cover design will take into consideration who the competition is, who the target market is, and where the book will be distributed. A strong book cover acts as a marketing tool. It is an advertisement for your book. Too often, cover artists for large publishers miss the point of the book or fail to relate to its intended market. The wrapper outside should reflect the message inside. Too many small author/publishers put all their energy into the text. Then the cover becomes an afterthought. This is terribly unfortunate because, from a sales standpoint, the cover is the most important part of the book. The author may feel the text is the most important but it is the cover that attracts the buyer. If you do not attract that buyer, you won't get your message to him. Unfortunately, many first books scream self-publisher for their loving hands at home look. Your book has to look like a book if you want it to sell like a book. Customers will not buy kitchen-table-published books. If they buy sight-unseen through the mail and are not thrilled, they may send it back. Your book cover designer will lay out the package, incorporate the illustration, put it all on disk and send it to your printer but you must draft the sales copy. The free book cover layout will take you step-by-step through the sales-copy drafting process. This exercise will help you to focus on who your customers are and what you plan to share with them. The Book Cover Worksheet can be found in Document 116 (free) and The Self-Publishing Manual. Each year, U.S. industry spends more than $50 billion on package design. Packages prompt buyers to reach for the product whether it is panty hose, corn flakes, hair spray or books. Invest your time in your text and your money in your cover. Make sure your customers reach for your book, identify their needs with it and buy it. See Covers that Sell Books, Document 631. For cover designers, see our Suppliers List. Printing and Printers Printing. Beware of "job printers" soliciting book printing. Many printers are looking for new territory and are attracted to the big-ticket item: books. There are only about 44 genuine book printers in the U.S. These printers print only books, have set up streamlined operations, have specialized equipment, use teams to handle the prepress functions and often run two and three shifts on their equipment. Their quality is consistently good—they don't have to spend time figuring out how to lay up the job so that the pages come out in the right order and right side up. They want to do a good job and they have to; they can't suddenly decide to switch to printing posters or labels or business cards. Their prices are the lowest because they buy their book paper by the multi-carload. A local "job printer" will buy just a pallet of paper for your book and will pay much more for it. For best quality, lowest price and on-time service stick with printers who print nothing but books. How can you find book printers? We have the list. Each book printer is set up differently. Some specialize in casebound (hardcover), some in perfect binding (softcover), and some in saddle stitch (staples). Any item in your specifications varying from their system will drive up their costs and your quote. When they have to take a book off the line to shift it to the other side of the factory or send it out to a binder, costs go up. As a publisher, you don't have to learn printer capabilities and printing equipment. Just send out a request for quotation (RFQ), describing your book to all 44 book printers. Take the lowest bid. It does not matter where the printer is located (most are in Michigan) because the bid will include delivery charges to your place. If your next book has similar specifications, you will probably deal with the same printer. Once you establish a relationship with the printer, your costs will probably go down further because you require less handholding. But do send out RFQs from time to time to make sure your printer is still giving you a good price. For instructions on drafting a Request For Quotation and a list of book printers, see the Instant Report Document 603, Book Printing at the Best Price or The Self-Publishing Manual. For this information and much more such as what to look for in blue-line proofs and sample letters with shipping instructions, etc., see the Special Report Buying Book Printing. For printers, also see suppliers. Trucking. If you are located in the west and your book is being printed in the Midwest or east, you can save 58% on your trucking by designating Clipper Express as your carrier. Just call Margaret Clifton at (530) 432-5521. We just saved you (another) bundle. But what does it cost to publish? Let's compare prices for traditional ink-press printing, PQN (Print Quantity Needed) and POD (Print-On-Demand, one book at a time such as DocuTech). We will compare a softcover (perfect bound) 144 page 5.5 x 8.5 book with black text and a four-color cover.
That $2.00 book could sell for $14.95 or $19.95 depending upon the audience. With this spread, you won't even mind giving the bookstore or other quantity buyer a 40 percent discount. Other Editions (Online, CD, Audio, Large Print) Electronic books. You are not a book author, book publisher or a book publicist. You are an "information provider." You work with ideas, words, typesetting, page layout, publishing, promoting and selling. You must dispense your information in many ways: Books, magazine articles, audio, videotape, seminars, speeches, and private consulting. These messages are the same but the delivery method for each is different. The costs of electronic information delivery are decreasing while the cost of storage and physical delivery of books is increasing. That is why the fax became a common machine. We are moving from a print culture to an electronic culture. See The Self-Publishing Manual. In the near future, almost every reference work will be offered in both print, downloadable and CD-ROM form. If you publish directories, manuals, lists, travel guides, or other reference books, you should explore your electronic book publishing options now. Nonfiction books will be next. Now the Web offers you a way to distribute your "brochure" to lots of potential buyers interested in your subject matter and a way to sell your work in both printed and electronic form. These methods are very inexpensive. Some of your potential customers commute or travel a lot; they do not have time to read your book. But they do have time to listen to it. Spoken-word recording (audio) is an efficient alternative delivery method. See our short report Audiobooks. See Free InfoKit.
Printing and Printers - Resources
Other Editions (Online, CD, Audio, Large Print) - Resources
PowerPacksGet all of our books, disks, reports and documents in print and electronic form. You will receive everything you need to write, print and promote your book-faster, easier and cheaper. This is a complete, step-b-step, turn-key program. Most files are in both MS-Word and Adobe Acrobat PDF; take you choice. The Acrobat Reader software is also included on the disc. There are three valuable kits to invest in:
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